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In “Blessings 1.” Chance’s second number of the night, he declared: I don’t make songs for free, I make ‘em for freedom.Īt the end of “Blessings,” the projection of an animated wall on the video screen behind Chance crumbled. Sometimes, he did so in the same breath as making declarations of his faith. It is the first album to ever be nominated for a Grammy - let alone fuel any victories - that was available, free of charge, only via online streaming on SoundCloud.Ĭhance’s aversion to making his fans pay for his recorded music - and his disdain for record companies - was made clear in several instances Monday. “Coloring Book,” incidentally, set a historical precedent. In February, he won Grammys for Best New Artist, Best Rap Album (for his third release, “Coloring Book”) and Best Rap Performance (for “No Problem,” which provided one of the highlights at Monday’s concert). But if the charismatic Chance had any opening-night nerves, he did a good job of disguising them. Expectations for his tour are sky high, and for multiple reasons. If Chance continues his artistic growth at his current rate, in a few years he may challenge fellow Chicagoan West for hip-hop’s crown.Ĭhance, whose real name is Chancelor Johnathan Bennett, turned 24 on April 16. He followed that by performing his part from “Ultralight Beam,” giving the audience a “Pablo”-fueled musical trifecta. To the delight of the nearly 9,900-strong crowd, Chance followed “Waves” with an audience sing-along on another “Pablo” song, “Father Stretch My Hands Pt.

(West ultimately dropped Chance’s version from the final album in favor of a different take on the song that features Chris Brown.) Along the way, Chance also paid homage to one of his mentors, Kanye West, by performing his original version of “Waves” from West’s “The Life of Pablo” album, which Chance played a major role in helping to craft.

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